THE BRAVE AND THE BOLD
PART 2
ISSUES 191, 192, 195 & 196
Welcome back to the series that's like that one guy at work who just does what he has to do and nothing else. He knows he's never going to get a great review from management, but he doesn't care as long as he just gets paid.
ISSUE 191
SCRIPT: Cary Burkett, Gary Cohn & Dan Mishkin
PENCILS: Jim Aparo & Dan Spiegle
COVER: Jim Aparo
This unlikely team-up between Batman and Joker was actually pretty good. . .in an 80's hilarity way, of course.
The Aparo art is barely passable and the story is thin and ridiculous, but you have to love the gymnastics needed in order for this teamup to take place. Then there's the hilarity of Joker trying to kill Batman twice "Out of habit" during their partnership, the ridiculous "Jokermobile", and how Batman finds Joker by just going up to his "Ha-Hacienda" and knocking on the door.
Even Grant Morrison stayed clear of THESE events. And that's saying something.
All in all, this was actually decent, but only for the "Really?" factor.
ISSUE 192
SCRIPTS: Mike W. Barr & Cary Burkett
PENCILS: Jim Aparo & Dan Spiegle
COVER: Jim Aparo
Pretty bad.
Aparo's art is better than usual on this one, and the cover is actually pretty cool, but the time travel shenanigans needed to force the Superboy/Batman teamup are so weak it's ridiculous.
And then there's Superboy fashioning long underwear out of lead to resist the Kryptonite the villian has for. . .reasons? No. EIGHTIES reasons! That's it.
So bad. No bueno.
ISSUE 195
SCRIPTS: Mike W. Barr
PENCILS: Jim Aparo
COVER: Jim Aparo
I found this issue to be a lot of fun and a good read. The writing was grim and moody (mostly from Andrew Bennett's miserable perspective) and a nice change from the goofiness of some of the previous issues.
Also, unlike some of the other Brave and Bold stories that are extremely dated, I think this one holds up pretty well today. Another decent example of when this series did things right.
ISSUE 196
SCRIPTS: Robert Kanigher
PENCILS: Jim Aparo
COVER: Jim Aparo
To me, Ragman has always been sort of an unnecessary character. This issue is no different. It's not terrible, but the writing is overblown in trying to be dark and grim, but just doesn't pull it off in the way the I. . .Vampire teamup in the previous issue did. Here, it just comes off as trying too hard. That and Ragman's origin is just ridiculous, no matter WHO writes it (at least in his original form. The revamped origin in the 90's was better).
All in all, like Ragman himself, I found no real reason for this to exist.
It was utterly average in every way.
CONCLUSION
Up next. . .
Meet a man who has denied himself all pleasure except for the beautiful screams of the wicked. I'm talking about R.E. Howard's grim puritan himself, Solomon Kane, in Dark Horse's "Red Shadows" mini.
Be there or be square!
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