Showing posts with label Zorro. Show all posts
Showing posts with label Zorro. Show all posts

Monday, April 5, 2021

Longbox Junk - Zorro: Rise of the Old Gods

Welcome to Longbox Junk, where I write comic reviews even though nobody asked me to!

When it comes to comic book heroes, I have a few favorites. . .Batman and Captain America top my list, but I'll read the adventures of just about any four-color superhero worthy of their cape and tights (or high-tech armor).  But truth to tell, my REAL favorite heroes come from the pulp tradition.  The Shadow, Green Hornet, Tarzan, The Lone Ranger, and Zorro (for a few top picks).

What these pulpy characters may lack in superpowers, they more than make up for with style and swagger!   In my extremely humble opinion, these old-school mystery men can stand toe to toe with ANY comic hero you can throw down against them, story-wise.  And that's a hill I will definitely defend.

If I had to pick ONE favorite hero, it would have to be Zorro.  That black-clad masked mystery man riding the trails of old California on his fiery steed, Tornado, and delivering justice for the common man at the end of a flashing rapier, all the while with a sly grin on his face and insults as sharp as his sword.  Yeah.  It would have to be Zorro.  His stories are just so much FUN.

So let us now ponder the following questions:

Can a story combining the fun swashbuckling of Zorro and the creeping, depressing, eldritch horror that is the trademark of pulp horror author H.P. Lovecraft possibly be good?  Is it even a good IDEA to try and combine these two almost completely unrelated things? 

Let's find out!


ZORRO:
RISE OF THE OLD GODS
American Mythology Productions (2019)

SCRIPTS: Jason Pell
ART: Puis Calzada

ISSUE ONE
COVER: Michael  Kaluta

THE COVER:
I love Kaluta's art.  His cover for the first issue of DC's The Shadow is my absolute favorite comic cover of all.  In my humble opinion, he's a living legend.  That said. . .this is NOT his best work.  Zorro's pose is extremely strange and awkward.  His face is almost not even there.  The rest of it (the snakes and such) is nicely done, but Zorro is just pretty bad.  A damn shame that this 3rd (maybe fourth?) tier publisher managed to swing a Kaluta cover and it turned out like this.  

THE STORY:

We begin at the hacienda of a rich landowner, at a dinner party that is interrupted by a robbery at the hands of the Agueros brothers. . .thuggish Murillo and frail Mathias, along with their gang.  Zorro (attending the party in his guise of Don Diego De La Vega) quickly leaps into action, sending the gang fleeing into the night. 

The next day, Don Diego joins a patrol of Mexican soldiers as they set off in pursuit of the bandits, who managed to get away with a mysterious gemstone.   Captain Eugenio, the leader of the patrol, believes the thieves are headed for Antiguo Camino, an isolated fishing village with a reputation for being unwelcoming to outsiders.

Back at the hacienda that was robbed, we see the rich landowner, his entire family, and some soldiers left behind to guard him from further attacks, slaughtered by grotesque monsters.  We then see that at the camp of the Agueros brothers, the strange Mathias is able to see the killings in his dreams.

After a bit of conflict between the two brothers over leadership of the gang, shouts of alarm are raised by the lookouts and the camp is attacked by the same grotesque creatures Mathias saw in his dreams!

To be continued. . .

THE REVIEW:

Hmmmmm. . .Okay.  Interesting.  

I have to admit that I'm a bit disappointed.  While the elements of a good Zorro story are all here, and are quite enjoyable, the second half of this Zorro/ Cthulhu combo is not very well done at all.

H.P. Lovecraft's stories always have a feeling of ambiguity to them. . .like there's something just past what is on the page.  A creepy feeling that there's more to the story than what's being told.  That feeling is entirely missing here.

The writer definitely hit a foul ball on the Lovecraft side of things by revealing the monsters in the first issue of the story instead of slowly building up to them.  Instead of creepy, eldritch horror, we get a straight-up monster attack story with Zorro thrown in.  

Not that this is necessarily a bad story.  It's pretty good Zorro story mixed with a healthy helping of gruesome supernatural monsters so far.  But let's just get it straight that this isn't anywhere close to Lovecraft.

On the art side of things. . .a little disappointing there as well.

I'd describe the art as being barely on the good side of average.  It's sketchy in places, and the coloring is extremely weak through the whole issue, making the whole thing look blander than it should.  It's not really bad.  I've seen worse.  It's just a bit average and unremarkable.


Personally, I was pretty interested (and even a little excited) to check out a combination of Zorro and Cthulhu.  Unfortunately, while it might be a good idea as a story pitch, the execution is lacking.  There's a good Zorro story here, but the Lovecraft side of the combo is almost entirely missing.  That and some lackluster art make this a somewhat disappointing first issue.

NEXT!

ISSUE TWO
COVER: Puis Calzada

THE COVER:
I like this cover a lot more than Kaluta's for the first issue.  Zorro looks determined and fierce as he faces down the eldritch creatures rising from the water.  It's not the greatest comic cover I've ever seen, but the grim look and heroic stance of Zorro make it a cut above the average.

THE STORY:

Continuing directly from last issue, we begin in the camp of the Agueros brothers and their outlaw gang, which is under attack from a trio of grotesque creatures.  Several of the gang are killed, but after a brutal battle, the creatures are killed and the Agueros gang waste no time in packing up and leaving the scene.

The next morning, Don Diego and the Mexican patrol in pursuit of the gang come across the campsite and ponder the nature of the strange creatures laying dead amongst the gang members.  The Captain sends for reinforcements from Santa Barbara while the patrol continues pursuing the gang toward Antiguo Camino.

Later that day, the Agueros gang rides into Antiguo Camino, passing by the unwelcoming townfolk and stopping at the sketchiest church ever (see below).  Inside, a strange ceremony is interrupted by the gang.  Mathias gives the priestess the oddly-glowing green stone they stole and then tells her that the other men in the gang are his gifts to her!  The worshippers grab the gang, but Mathias tells them that his brother isn't part of the deal.

The priestess takes the brothers downstairs and shows them a room full of gold coins that is to be their reward.  Mathias tells the priestess that he didn't do this for any reward of gold, and then tells her that they are being pursued and that none of the men following them should be allowed to escape.

As they speak, Don Diego and the Mexican patrol arrive at the outskirts of Antiguo Camino.

To be continued. . .

THE REVIEW:

Once again, not a BAD story. . .just disappointing.  Zorro doesn't make an appearance in this issue (except in the guise of Don Diego and during a brief flashback), so the Cthulhu portion of the combo takes center stage.  Unfortunately, like the first issue, this ain't Lovecraft by a long shot.

The Cthulhu cult is openly worshipping.  The monsters are attacking.  There's no signature slow build to the horror.  It's just right there in your face.  The art improves a bit over the first issue, but it's still sketchy in places and the colors are washed out and bland through most of the issue, although there is a bit of improvement on the colors as well.

Nothing suspicious about this church just sitting out there in public.  Nope.

Overall, we have a story that's not BAD, but it's not what was advertised.  This has some of the trappings of the Cthulhu "mythos", but you can tell the writer is a lot more comfortable writing Zorro.

NEXT!

ISSUE THREE
COVER: Puis Calzada

THE COVER:
For some reason, this cover just isn't hitting it with me.  I'm not sure why exactly.  The more I look at it, the more I'm trying to figure out why I don't really like it.  Maybe it's just part of my general disappointment with this series as a whole.

THE STORY:

Continuing from last issue, Don Diego and the Mexican patrol have arrived in Antiguo Camino.  While taking their rest and making plans to search the town for the fugitive Agueros brothers, they are suddenly attacked by the townfolk!

The soldiers are quickly overwhelmed and only a few escape the Inn, including Don Diego, who decides it's time to change clothes and continue the fight as Zorro.  As the remaining Mexican troops fight for their lives while being chased through the town, the Captain takes refuge in the church, only to discover to his horror the strange trappings of the Cthulhu cult within.

Meanwhile, at the seashore, the fate of the rest of the Agueros gang is revealed as brothers Murillo and Mathias witness them being bound to stakes as the priestess begins a strange ritual.  The captured Mexican troops are likewise brought to the shore and bound to stakes.

In town, Zorro and a Mexican Lieutenant he has rescued fight their way toward the seashore, where they hear the loud chanting of the ritual.  As they arrive, they are horrified to find a legion of grotesque creatures coming from the sea and devouring the screaming prisoners alive!

To be continued. . .

THE REVIEW:

This lead-up to the final issue is mostly action, which I can easily see the writer is more comfortable with than the two more dialogue-heavy issues that have come before.  Unfortunately, once again this entirely throws out the whole "Impending Dread" trademark Lovecraft style one would expect in a story advertising itself as (and I quote):  "This series celebrates the swashbuckling heroics of Zorro and the impending dread of H.P. Lovecraft in a unique and terrifying tale!"

Instead, all hell breaks loose and it's nonstop monster-ific action as the villagers become basically a zombie horde attacking the Mexican patrol and creatures rise from the sea to rip the prisoners apart in full bloody color, with nothing left to the imagination (Did I mention before that this comic is NOT for kids?  There's a pretty good bucket of gore splashed across this issue in particular).

At least on the art side of things, the colors have greatly improved over the first couple of issues.
Wait.  Lovecraft Zombies? Oh, never mind.  "Villagers"

Overall, this issue is almost completely action, and actually resembles a zombie attack story more than anything "Lovecraftian".  It's not a terrible story, and the scenes with Zorro have plenty of swash and buckle to them, but in my extremely humble opinion, American Mythology sort of wasted whatever Cthulhu license they have here on a gore-fest featuring Zorro stabbing zombies/villagers.

AND FINALLY. . .


ISSUE FOUR
COVER: Puis Calzada

THE COVER:
I really like the colors and the gritty determination of Zorro as he fights for his life.  I'd say this one is the best cover of the four, in my extremely humble opinion.  I think Zorro's facial expression is what really sells this one.  I haven't mentioned it before, but I REALLY like American Mythology's Gold and Red Zorro logo.  It really pops on these covers, and especially on this one.

THE STORY:

Continuing from last issue, Zorro and Lieutenant Marquez frantically try to rescue the few remaining Mexican soldiers as grotesque sea creatures devour their comrades.  The villagers catch up to the pair and Zorro commands Marquez to save who he can while he fights them off.

As the battle rages by the seashore, the reinforcements Captain Eugenio sent for arrive.  The Captain takes command and they ruthlessly sweep through the village, killing anyone standing in their way.

Hearing the gunfire coming from the village, Mathias Agueros and the Priestess of the Cthulhu cult know that their time in Antiguo Camino is through.  They use the stolen gemstone and perform a ritual that turns Murillo Agueros into a hulking monstrosity, then make their escape from the doomed village.

Zorro confronts the thing that used to be Murillo, distracting it from attacking the soldiers in the village.  A brutal battle ensues and Zorro barely manages to prevail. . .defeating the eldritch monster, but unable to prevent Mathias and the Priestess from escaping.

In the end, Zorro. . .back in his guise of Don Diego. . .rides away from the carnage in the streets of the village as the Mexican soldiers brutally slaughter everyone they find.  He reflects that Zorro's justice is for the people. . .but not THESE people.

The End.

THE REVIEW:

Alrighty then.  Here we are at the grand finale of this thing.

This final issue was pretty much all-out action and fighting as Zorro faces down the creatures summoned by the Cthulhu Priestess and Mathias.  It's not bad, for what it is, but what it ain't (like I've already said) is Lovecraft by any means.

There IS a token attempt to link this tale as sort of a prequel to one of Lovecraft's best known stories, "The Shadow Over Innsmouth", but the connection is weak at best.  

The art in this issue steps up a notch, showing a definite improvement over previous issues in both form and color.  There are actually a few really good little sequences here and there, like Murillo's transformation into an inhuman creature (shown below).  It's a bit of a shame that it took until the final issue for the artist to really find his feet, though.

Overall, this story ends on a note of non-stop action.  It's a decent ending, even though the attempt to connect it with a more famous Lovecraft story seems a bit weak and flimsy, considering there's barely been any real effort to evoke any of Lovecraft's signature style through the rest of the story.

CONCLUSION
I asked the following questions in the introduction:  Can a story combining the fun swashbuckling of Zorro and the creeping, depressing, eldritch horror that is the trademark of pulp horror author H.P. Lovecraft possibly be good?  Is it even a good IDEA to try and combine these two almost completely unrelated things? 

Based on THIS story, I'd have to say no to both. . .BUT!  The IDEA is still interesting, and I think it COULD work, just not here.  I guess what I'm saying is that the idea is solid, but the execution in this series is not.

What we have here is less of a Zorro/ Cthulhu combination and more of a Zorro story with monsters.  You know what?  I'm okay with that.  If you look at this series from THAT point of view, it's not bad.  Unfortunately, I was also expecting some creepy Lovecraft-style horror and didn't get any.

There's no creeping sense of doom to be found.  No slow buildup to a horrific reveal.  No mind-wrecking battle against the madness that comes from seeing things that should not be!  This story COULD have been so much better if the writer had actually attempted to bring some of that trademark Lovecraft creep factor into it.

I think that despite the flaws in storytelling and art that starts off on the wrong foot, but slowly improves through the series, I'd still recommend this series for any Zorro fan looking for a story a little off the beaten path.  But if you're coming in as a Lovecraft fan looking for something a little different, then you're going to be out of luck.

Up Next. . .

There's a comic series that I am pretty much guaranteed to find at least one issue of in EVERY bargain bin I've ever dug through. . .and that series is Image's "ShadowHawk".  Over the years, I've collected almost the full run, just because I like the covers.  But I've never read any of them.

Until now!

Let's head back to the 90's and take a look at the first 4-issue ShadowHawk series.

Be there or be square!

Monday, February 26, 2018

Longbox Junk - Zorro Rides Again


ZORRO RIDES AGAIN

DYNAMITE (2011 - 2012)



The last couple entries here at Longbox Junk were about Dynamite's Zorro run.  That series was generally pretty damn good, but ended abruptly on a cliffhanger.  That sort of nagged at me, so I pulled out Dynamite's follow-up Zorro series, to see if the story continued. . .and it does.


So here we are with 12 more issues of Matt Wagner's take on Zorro.

This series leads off EXACTLY where the previous Dynamite Zorro series ended, but a full year and a half later.  Why they took so long to continue the story, I don't know. It reminds me of how a season of a show like Walking Dead or Game of Thrones will end on a cliffhanger and pick up later on exactly where they left off.



But unlike those shows, from the looks of the back issue values and print run numbers, it doesn't seem like anyone was particularly anxious to learn how this particular cliffhanger worked out.

ANYWAY. . .


Zorro Rides Again.  Let's do this!


ISSUE 1


SCRIPT: Matt Wagner
PENCILS: Esteve Polls
COVER: Matt Wagner

We return to the story as Alejeandro de la Vega finds out that his son, Don Diego, is pulling double-duty as Zorro. How will this affect Zorro's continuing crusade against the alcalde of Los Angeles, Luis Quintero?


 This first issue picks up at the exact moment the last issue of Zorro left off, with Diego's father discovering his secret hideout below the De La Vega hacienda. Most of this issue re-introduces all of the characters from the earlier series, as well as sets up a new conflict in the Alcalde moving into a new territory (the San Fernando valley) and Zorro determined to foil his plans.


Mostly introduction and setup, but there's promise here, especially since Wagner is still on scripts. The new artist is no Francavilla, but the art is very nice, if not as dark and moody as I'd like a Zorro comic to be.  And the cover! I'd love that as a poster. One of the best Zorro pictures I've seen!

ISSUE 2

SCRIPT: Matt Wagner
PENCILS: Esteve Polls
COVER: Matt Wagner


Still a strong start for this series, with the Alcalde and his henchmen stepping up the plot to steal Don Pulido's land and the gold beneath it, Don Alejandro trying to deal with his discovery that his son is Zorro, and in the aftermath of the Alcalde's first attacks on San Fernando, a woman who saw her family killed seems set on revenge.


Still a lot of re-introduction to the plot threads from the first series, but it doesn't feel forced. All in all a good read, but I just wish the story would move out of exposition mode soon.

ISSUE 3

SCRIPT: Matt Wagner
PENCILS: Esteve Polls
COVER: Matt Wagner

The beginning of this series seems to be a bit of a slow burn, touching on the same themes of the previous issues. . .Don Alejandro coming to terms with his son being Zorro, The Alcalde's plot to steal Don Pulido's land, and Major Pasquale's counterplot with the Alcalde's wife to do away with him once the wealth of the Pulidos is theirs. We also get to see more of the un-named woman from the first issue as she continues on her own search for Zorro.


Again, it's well written and the art is good, but three issues in (a quarter of the entire run) and we're STILL in exposition mode from the previous series.

ISSUE 4

SCRIPT: Matt Wagner
PENCILS: Esteve Polls
COVER: Matt Wagner

Looks like things are about to get real! In the process of arresting Don Pulido on trumped up charges, Major Pasquale kills Don Alejandro during a duel. As his father later dies in Diego's arms, his last words reveal that he knew the truth about his son being Zorro. There's no way Zorro's going to let THAT slide! It looks like the threads are finally weaving together on this series.


ISSUE 5

SCRIPT: Matt Wagner
PENCILS: Esteve Polls
COVER: Matt Wagner

Zorro is out for revenge against the man who murdered his father. . .and during an epic sword duel in a burning horse stable, he reveals his secret identity to Major Pasquale. This isn't going to end well for one of them. But we don't find out who in this issue, which ends on a cliffhanger.


A great, fast read. I can also see some improvement in the art. It was already pretty good, but there's some REALLY nice panels in this issue.


ISSUE 6

SCRIPT: Matt Wagner
PENCILS: Esteve Polls
COVER: Matt Wagner

In the wake of Don De La Vega's death, the Alcalde flees, leaving Major Pasquale to deal with the uprising that results. In an epic confrontation during the riot, Diego reveals his identity as Zorro and kills Major Pasquale.


After all the chaos, Sergeant Gonzalez is stripped of rank and removed from the military. At the end of the issue we see him cutting "Z" all over his body and blaming Zorro for his misfortune. He names himself "El Galgo" and swears revenge.


A fine issue that resolves most of the plotlines from the original series. . .but Gonzalez giving himself a new name and carving "Z" all over himself concerns me a bit. The previous Zorro series from Topps went overboard with trying to give Zorro a superhero-style rogues gallery. Hopefully this isn't the direction Wagner is deciding to go with this series.


ISSUE 7

SCRIPT: Matt Wagner
PENCILS: John K. Snyder III
COVER: Matt Wagner

First the good. . .the new artist for this arc is fantastic! I've said that I consider Francesco Francavilla the best artist for Zorro, but John K. Snyder III comes in a VERY close second. Every panel of this issue is great. I love how he draws Zorro as a shadow constantly in motion, with only a hint of detail.


Now the bad. As I feared, it looks like "El Galgo" AKA Sergeant Gonzalez is going to become a sort of supervillain for Zorro. Unfortunate. No wonder this series only lasted 12 issues if the creators decided they HAD to have themed supervillains in it. 


Overall, bad story. . .great art.


ISSUE 8

SCRIPT: Matt Wagner
PENCILS: John K. Snyder III
COVER: Matt Wagner

As if giving Zorro a supervillain wasn't enough, it looks like Wagner is building the un-named woman we met in the first issue who saw her family killed in front of her up into some sort of sidekick character, or possibly another villain. Either way, I see shades of the failure of the Topps Zorro in this series now. Well. . .at least Snyder III's artwork is still top-notch.


I have a sinking feeling this series won't end well. . .

ISSUE 9

SCRIPT: Matt Wagner
PENCILS: John K. Snyder III
COVER: Matt Wagner

Oh Lawd! "Lady Zorro" makes her first appearance. Is she going to be a sidekick or a villain? Why, Matt Wagner? WHY? Is Zorro such a shallow character that you ran out of ideas and had to provide him with a rogue's gallery?


In the first series, you gave us a perfect origin story in the first arc. . .a pretty good defining of the dual character of Diego and Zorro in the second. . .and a fantastic Rashomon-style interpretation of Zorro through the eyes of others in the third. . .and THEN a defining of what makes Zorro a hero in the fourth (the first of this series). 


NOW it turns to standard superhero tropes?  Say it ain't so!
Matt Wagner, you have some goddamn 'splaining to do.


ISSUE 10

SCRIPT: Matt Wagner
PENCILS: John K. Snyder III
COVER: Matt Wagner

"Lady Zorro" (Couldn't they come up with a better name, for God's sake?) isn't as concerned with honorable battles and fair play as Zorro, and as she massacres any soldiers she finds, Zorro takes the blame because of the Z's she cuts into her victims. As the landowners become nervous, Zorro resolves to find the killer.


Well-worn villain turns into sidekick comic cliche, anyone?
Why, Wagner? Why did you do this? The worst part is that the art is still SO damn good!

ISSUE 11

SCRIPT: Matt Wagner
PENCILS: John K. Snyder III
COVER: Matt Wagner

ASS-TASTIC! How about that cover?


Zorro finally confronts Lady Zorro, the disagree and fight, only to be interrupted by El Galgo. I'm sure a team-up will ensue. Why are there superhero comic tropes in my Zorro comics, Wagner?


I wish I could at least still say the art is great, but most of the first half of the book looks sketchy, rushed and unfinished, like the artist has sort of given up. I'm sorry, fellow Zorro fans. . .I had nothing to do with this mess and I'm still sorry.


This series quickly turned into a joke. No wonder we haven't had a new Zorro series since 2012. It fell victim to the same thing the earlier Topps series did. . .supervillains and cheesecake. Am disappoint.


ISSUE 12

SCRIPT: Matt Wagner
PENCILS: John K. Snyder III
COVER: Matt Wagner

Thank God it's over.

As expected from last issue's "cliffhanger", Zorro and Lady Zorro team up to defeat El Galgo, then Zorro takes Robin to the Batcave and reveals his identity. . .to a person who he only met a few hours before, who got him blamed for mercilessly killing a bunch of soldiers, and tried to kill him when he told her revenge was no bueno.  


A disappointing ending for a series that started strong.  It feels rushed, forced, and seems to serve only to introduce a cheesecake female Zorro at the expense of a classic character.  A damn shame is what it is.

CONCLUSION

This short-lived series started strong, and the first half was very nicely done.

But then. . .


As soon as I saw the words "Lady Zorro" a handful of issues back, I knew this series wasn't going to end well, and it didn't. As a matter of fact, it ended SO unwell that Zorro hasn't had a regular series since. For huge Zorro fans like myself it's a bitter goddamn shame.


Thanks, Obama.


Up next. . .


What happens when you mix Chtulu and Marvel superheroes?  
You get the Marvel/Dynamite mini-series Invaders Now!


Be there or be square!

Monday, February 19, 2018

Longbox Junk - Zorro Part 2

After an extremely strong start, can the back half of this series keep up? 
Let's find out!


ZORRO
DYNAMITE (2008 - 2010)
PART 2: ISSUES 11 - 20

ISSUE 11

SCRIPT: Matt Wagner
PENCILS: Cezar Razek
COVER: Francesco Francavilla


Although still not up to the quality of the first story arc, three issues into this one and it's growing on me. It's mostly due to Wagner's writing, but the art seems to have improved a bit. I found a shot of Zorro on Tornado particularly impressive. 

 The story itself is still more obvious setup for things to come. Diego finds himself in competition for Lolita from Major Pasquale, who is seeking her hand to further his and the Alcalde's plot to gain her family's land and the gold they have discovered on it. 

 Not much action in this issue, Diego has more a part in it than Zorro, but with Wagner's writing, that's okay. Not a bad issue. Not great, but not bad at all.  And once again, Francavilla gives us a poster-worthy cover!


ISSUE 12

SCRIPT: Matt Wagner
PENCILS: Cezar Razek
COVER: Francesco Francavilla

This issue sees the return of Zorro's main antagonist from the first arc, Sgt. Gonzalez, as part of a plot by Major Pasquale and the Alcalde to draw Zorro out. Also, Diego proposes marriage to Lolita in the worst way. . .complimenting her "sturdy teeth". The art is still disappointing, but the story is gaining some ground as threads begin to tie together.

Still not great, but also not bad. I had hoped for better after the origin story. Maybe I miss Francavilla's art and it's souring me on this arc. At least he's still doing covers. His cover for this issue is one of the best in the series. Zorro leaping from a rooftop with the moon behind him, done in only a couple of colors. . .mainly bluish gray and black. I'd love to have a poster of it!


ISSUE 13

SCRIPT: Matt Wagner
PENCILS: Cezar Razek
COVER: Francesco Francavilla

As the second arc comes to a head, Lolita decides to leave town to avoid marrying either Diego OR Major Pasquale, giving Sgt. Gonzalez in disguise as Zorro the perfect opportunity to attack her on the road. Zorro learns of the plan during an epic confrontation with Major Pasquale, and after defeating him, rushes off to the rescue.

Where Diego had more to do with the story in the first part of this arc, as it comes to a conclusion, Zorro is taking center stage. I'm not impressed with the art, but Wagner portrays the dual identity of Diego/Zorro better than most Batman writers ever could. I really like that angle to this story.


ISSUE 14

SCRIPT: Matt Wagner
PENCILS: Cezar Razek
COVER: Francesco Francavilla

And so we close out the second arc of this series. It's pretty much all out action, with Zorro confronting Sergeant Gonzalez for the second time on top of a speeding coach. As the defeated Gonzalez falls, he unmasks Zorro and his secret is revealed to Lolita, who swears to keep his secret safe and seals it with a kiss.


All in all a fine conclusion. I wasn't impressed with the art on this arc, but Wagner's writing was reliably good and the story was very engaging. The "Coming Next" blurb on this issue tells me Francovilla is returning to the series, so I have high hopes for the next story arc. This one was good, but not great.


ISSUE 15

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Francesco Francavilla


The first issue of the next story arc brings back Francavilla on art. I said in my review of the first issue that I'd seen better from him, and now I realize why. In that first arc, someone else was on colors. In this one, he inks and colors his own art and it is the fantastic work I am more familiar with.


That said, this issue focuses almost entirely on a dinner party held by what looks like Zorro's new antagonist, General Mancado. During the party, several people give their thoughts on Zorro, presenting different visions varying from that of a supernatural phantom to a wild indian.

 It's an interesting issue that shows how the people (except for one eyewitness) really know nothing about Zorro. All in all though there's hardly any action it's a really good issue.

ISSUE 16

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: John K. Snyder III

Another issue in which General Mancado gathers information about Zorro. This time a pirate captain Mancado works with from time to time tells him a tale of an encounter he and his men had with Zorro that ended up with his best fighter defeated and himself bearing the mark of Zorro as a permanent reminder of the battle. 

 All in all this was a great issue. Zorro vs. Pirates with Francavilla art? How could it not be? It seems this arc will mostly be about the various impressions if Zorro through the eyes of others. I'm liking it!


ISSUE 17

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Francesco Francavilla


Another great issue with General Mancado learning of an encounter with Zorro. . .this time that of a wealthy rancher who has built his fortune on brutal treatment of his workers, until Zorro takes notice and works to ruin him. Finally Zorro marks him and demands he change his ways.

A fine tale about how Zorro doesn't always have to sword fight someone to gain the justice he seeks. The ending of the issue lets us know that Diego is off to Santa Barbara (where the General is based), so I'm guessing Mancado will no longer have to rely on second hand tales of Zorro before long.


ISSUE 18

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Matt Wagner

This issue has more impressions of Zorro, this time overheard by General Mancado as he eavesdrops on peasants as they talk outside the listening ears of their masters. The visions of the hero range from avenging angel of revolution to shapeshifting skinwalker, to bored nobleman just out for thrills. It becomes clear to General Mancado that Zorro is becoming a legend and must be dealt with. 

This was another great issue. I really like the varying perspectives of Zorro that Wagner presents, and Francovilla's art remains fantastic.


ISSUE 19

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Matt Wagner

As this arc (and the series) draws to a close, General Mancado hears tales of Zorro from his local foes, Alcalde Quintero, Major Pasquale, and Sergeant Gonzalez. As he gets closer to the truth of what Zorro really is, he finally decides it's time for him to take direct action. 

Another great issue with good writing and stunning artwork. I've really enjoyed this Rashomon style Zorro tale, but with only one issue left, I hope the ending is worth the buildup.


ISSUE 20

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: John K. Snyder III

I was a bit disappointed in this issue as the conclusion to both the story arc AND the series. I had really been enjoying the Rashomon style storytelling, and the buildup getting here was great. . .but although the writing and art were up to the great standards set by the Wagner/Francavilla team, this issue resolved nothing. Instead, it ended on dual cliffhanger notes.

The first a direct challenge by Zorro to General Mancado to try and stop him. The second was Diego's father discovering the secret door in his home leading to Zorro's cavern hideout.

I'm not sure if this series was originally supposed to continue and was cut short or if these cliffhangers were supposed to be resolved in the following Dynamite Zorro series, "Zorro Rides Again" I believe I recall ZRA had Diego's father being aware of his son's dual identity. Now I'll have to dig THAT run out because it's bugging me how this story arc had no resolution to it.  Not a great ending.


CONCLUSION

Overall, as far as this entire series is concerned, my general impression is that Wagner and Francavilla are an extremely impressive team. The issues without the original creative team in the middle slumped a bit.  Not that they were bad. . .Wagner's writing was consistently good all the way from the first issue to the last.


My second impression is that Dynamite was the right company to trust with the legacy of this great character. I also have the older Topps Zorro and it devolved quickly into costumed superheroics, "Bad Girl" cheesecake, and over the top Batman-Style villains. The Dynamite version is grounded in a more realistic world and is the better for it.

My third impression is that even though this run was impressive in many ways, there was some disappointing loose ends in making Diego part of a secret society that had existed for centuries devoted to seeking justice. . .and then never mentioning it again. I feel that was a waste of a perfectly good addition to the Zorro mythos. Maybe if the series had run more than 20 issues they would have touched on that aspect a bit more.

All in all, I enjoyed this series a lot. If anybody needs an introduction to the character of Zorro, I would highly suggest starting right here, especially with the fantastic first 8 issues re-telling Zorro's origin.  And like I said before, the covers alone are worth the price. This 20 issue batch of Longbox Junk is a definite winner!

Up next. . .


Okay, now that we've seen how great Zorro comics can be. . .let's look at the other end of the scale.  Dynamite's 12 issue follow-up series, Zorro Rides Again.  


Be there or be square!

Monday, February 12, 2018

Longbox Junk - Zorro Part 1



El Zorro! The Fox. . .masked protector of the innocent, master swordsman, and bringer of justice in Mexican California.  One of the major influences behind Batman and one of my all-time favorite characters.  To me, Zorro is THE definition of hero.  But how does this classic character fare in Dynamite's hands, rebooted for a more modern audience?  Let's find out. . .

ZORRO
Dynamite (2008 - 2009)
Part 1: Issues 1 - 10

ISSUE 1

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Matt Wagner

The first issue of this series starts off on a good foot, showing us the future Zorro as a boy raised in the two worlds of his father being a Spanish gentleman and his mother being a Native American. It's narrated by his constant companion, Bernardo as they witness Spanish Cruelty toward peasants and take a Native spirit quest.

Dynamite hits it out of the park with the creative team of Francavilla on art and the legendary Matt Wagner writing. And that Wagner cover! I'd frame it and hang it on my wall. A great start to the series.

ISSUE 2

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Matt Wagner

Another great issue in the re-telling of Zorro's origin by the stellar team of Wagner and Francavilla! In this second chapter, we see young Diego becoming a prodigy with the sword, the death of his mother, and his father's decision to send him to Spain to continue his education as a Spanish Gentleman. A great read with a very nice Wagner cover.  This series is definitely off to a strong start.


ISSUE 3

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Mike Mayhew

The re-telling of the origin of Zorro continues to be a great read as we follow young Diego and Bernardo on a sea voyage to Barcelona, where he is accepted as a student by swordmaster Miguel Escalante. This is turning out to be THE definitive Zorro origin for me.. . .and that Mayhew cover, Fantastic!

ISSUE 4
SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Mike Mayhew

I'd give this issue a 4 star review based on the cover alone! It's not just one of the best Zorro covers, but to me one of the best comic covers I've seen! A dark Zorro against a plain red background. So simple, but so great. The cover artists on this series are really hitting home runs on every issue so far.

This issue continues the adventures of young Diego and Bernardo in Barcelona. When an encounter with a beautiful gypsy girl and Diego's rescue of her from soldiers goes wrong, he confesses his desire for justice to Miguel Escalante, who reveals himself to be a member of a secret order devoted to Justice for the downtrodden. A great addition to the mythos, and one that as far as I know has never been used in any other telling of the Zorro story.

ISSUE 5

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Matt Wagner

In this issue, still continuing the re-told origin of Zorro, Young Diego passes the tests to become fully initiated into the secret society of "La Justica" and takes on the code name of El Zorro. He quickly becomes a hunted man in Barcelona due to his reckless nature, and receives a letter from his father in California requesting his return.

Another great issue! I really like the addition of La Justica to the Zorro mythos. Wagner and Francavilla haven't given us a bad issue in this series yet.

ISSUE 6

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Matt Wagner

Lots going on in this issue at young Diego moves closer to fully taking on the mantle of El Zorro. He and Bernardo are attacked by pirates during the voyage to California and must make their way on foot across Mexico. When the arrive, they see that the corruption of the Spanish rulers of California has become absolute.

Bernardo is shown a gold mine by his Indian family and together they decide to use their new fortune to fight for justice. We are also introduced to Zorro's underground hideaway and his horse, Tornado. Another great issue in this re-telling of Zorro's origins!

ISSUE 7

SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Matt Wagner

In this issue we see Diego return home in the guise of an entitled Spanish fop. . .much to the disappointment of his father. We also get to see him ride out as Zorro for the first time. Francavilla's double page spread of Zorro and Tornado is worthy of a poster!

I really enjoyed this issue. I know that Zorro was the inspiration for Batman and his double identity, but Bruce Wayne always seemed to me to be a poor disguise. Diego vs. Zorro are miles apart and perfectly written by Wagner as almost two separate people entirely.

The cover by Wagner also perfectly captures the dual identities. . .the brightly-colored Diego contrasted with the dark shadow of Zorro. A VERY nicely done issue all around.

ISSUE 8
SCRIPT: Matt Wagner
PENCILS: Francesco Francavilla
COVER: Matt Wagner

And so the first arc of this series concludes with Zorro breaking into prison to release an unjustly-accused Padre Mendoza and finally confronting Sergeant Gonzalez in an epic duel that ends in Mendoza bearing the mark of Zorro on his face.

This was a great wrap-up to a fantastic re-telling of Zorro's origin. The team of Francavilla and Wagner have given us something great. Even if this series had ended with 8 issues, I'd be happy with it.

ISSUE 9

SCRIPT: Matt Wagner
PENCILS: Cezar Rezik
COVER: Francesco Francavilla

This first issue of the next arc is mostly set up for things to come. Well-written set up by Wagner, mind you, but still a bit of a filler issue. The art is disappointing, as one would expect after 8 issues of Francavilla. It just seems cartoony and weak after the previous arc's dark and moody artwork. . .BUT. . .Francavilla makes up for it by providing one of the best covers of the series so far!

The story itself involves Diego's father trying to set his son up with the daughter of a neighboring friend and the Alcalde and his henchman discovering gold on that friend's land, as well as the De La Vega hacienda, and their plotting to take the land and gold for themselves.

After the brilliant re-telling of Zorro's origin, I was disappointed with this issue. It's not bad. . .it's just not as good as I've come to expect up to this point.

ISSUE 10

SCRIPT: Matt Wagner
PENCILS: Cezar Rezik
COVER: Francesco Francavilla

This issue is fairly short on action and long on talking head scenes. Wagner does a decent job of writing, but it still feels like setup for something better. I still can't help but be disappointed in the art, but it seems better in this issue than the last.

The story revolves around Diego's father still trying to get his son married into the Pulido family, with Zorro's nighttime activities foiling the Alcalde's plot to put a spy into the Pulido hacienda.

I hope it gets better from here. This series started extremely strong and is dipping into "Average" territory. 

CONCLUSION

I was extremely pleased with the first 8 issues of this run and the re-told origin of Zorro.  If Dynamite had decided to end this as a mini with those issues, I would have been more than happy.  Hell, the covers are worth the price of admission on their own! As far as I'm concerned, those first 8 issues are now THE definitive  origin of Zorro for me. . .the "Batman: Year One" of the character, as it were.  

Unfortunately, with the departure of Francisco Francavilla as regular artist, the quality took a bit of a dip on the last two issues of this first half of the run.  It's still good, but those first 8 issues are definitely a hard act to follow.

Up next. . .

More Zorro.  Issues 11 - 20.

Be there or be square!