Welcome back to Longbox Junk, the place to find all the comic reviews you never asked for!
I believe I've mentioned in a couple of posts that I've recently come into two longboxes STUFFED with non-DC/ Marvel comics. . .mostly from the 90's.
I bought the boxes from a closing comic shop (another one bites the dust, R.I.P.) for a measly FORTY BUCKS because the shop owner knew that nobody else but me was going to touch them. Indeed. . .his closing sale had been going on for a week and he hadn't sold but a few comics from those boxes.
SO. . .
Here I sit with about SIX HUNDRED random comics from mostly-defunct comic publishers like Valiant, Malibu, Innovation, Eclipse, NOW, Impact, Continuity, Topps, CrossGen Chaos, and others I've never even heard of. Along with a healthy sprinkle of older comics from companies that are still chugging along like Dark Horse, Image, and Antarctic.
What to do with all of that fine Longbox Junk? Unfortunately, there isn't much that's complete, as far as runs or mini's. . .so despite the bounty of bargain box books at hand, they don't really fit my concept for Longbox Junk, where I generally try to get into full runs and complete stories.
BUT. . .
Among all the incomplete runs and story fragments, there is a big, beautiful stack of ONE SHOTS!
If you've been reading this blog for a while, then you know the love I have for the one shot! It's probably my favorite form of comic art. The creative team has ONE and ONLY ONE issue to tell a complete story. There's no room for error. . .no "well, maybe next issue will be better", like there is in a series. I absolutely love seeing if a creative team can step up to the challenge of the one shot.
So let's get into some of these non-DC/Marvel one shots, shall we? We shall!
RED SONJA
A DEATH IN SCARLET
Cross Plains Comics (1999)
A DEATH IN SCARLET
SCRIPT: Roy Thomas & Steve Lightle
PENCILS: Steve Lightle
COVER: Steve Lightle
THE COVER:
Very nicely done! Lots of detail, great colors. I like the way the main subject sits against the stark black background. Sonja's face is a little strange, and there's no way I can hang this one on my office wall without an awkward appointment with HR (but that's Red Sonja covers in general, not just this one), but I like this one a lot!
THE STORY:
A young Sonja learns the trade of thievery from a woman named T'Shika in the city of Khorsun. When a theft goes wrong and the two find themselves pursued by the private army of a rich trader, Sonja stumbles into knowledge that the trader had something to do with the death of her family.
Sonja turns from hunted into hunter as she and T'Shika infiltrate his palace and find an ally in the form of an enslaved shape-shifting priestess called Sabra. Unfortunately, in the battle to get close to the trader and gain information, Sonja accidentally kills him and is forced to leave without getting any closer to those who killed her family.
The End?
THE REVIEW:
Although listed as a one-shot on comic reference sites, this comic looks a lot more like what was supposed to be the first issue of an ongoing series. It stands alone as a pretty good story, but there are a lot of obviously-dangling plot threads, including an ending that's more of a "to be continued". That said, the legendary Roy Thomas does a great job returning to one of his signature characters.
BONUS: There's a nice little essay in the back by Thomas on how he created Red Sonja for Marvel.
The art is very nicely detailed, but the colors are often a little garish. Not often enough to bring things down too much, though. There's also a LOT of cheesecake going on. Like the cover (same as the interior artist), there's a pretty hard focus on Sonja in sexy poses throughout the whole comic. So even though the story is pretty good, this isn't really a comic you're going to want to read at work.
THE VERDICT:
I give this comic 4 out of 5 barely-covered boobs.
NEXT!
BOMBAST
TOPPS (1993)
BOMBAST LIVES!
SCRIPT: Roy Thomas & Gary Friedrich
PENCILS: Dick Ayers & John Severin
COVER: Jack Kirby
THE COVER:
A great, colorful, old school character cover by the legendary Jack Kirby. . .complete with the signature Kirby Krackle! To be honest, the character himself looks a bit generic. That said, this is the kind of cover that makes you want to see what's inside. I REALLY like the bombastic text advertising the all-star classic creative lineup and the hilarious (to me, anyway) "1 of 1 COLLECT 'EM ALL!" tag.
THE STORY:
A strange earthquake rocks the city of Chicago, opening a deep chasm that a young street punk named Darren falls into. He finds himself in a mysterious cave with glowing rocks and a strangely-dressed man in a crystal pod. As he investigates, he accidentally opens the pod and frees the man, who speaks in a strange language. . .but we readers know that he's a "ninth man" named Bombast with a mission to save the world of the "tenth men" and he's been in the pod for 15,000 years!
The confused Bombast leaves the chasm with Darren and begins to explore the unfamiliar world of technology he's found himself in. When Darren is attacked by drug dealers he owes money to, Bombast saves him by using superhuman powers that allow him to turn almost anything into a deadly thrown weapon. The battle brings Bombast to the attention of Chicago's resident super-cop, The Savage Dragon!
Bombast realizes he can't defeat Savage Dragon and is forced to escape. Soon after, he encounters a strange metal-clad being named Death Flash who speaks his language. Death Flash reveals that he is also a ninth man, but he is there to destroy humanity. After a short battle, Bombast returns to the chasm, hoping to find some information to guide him. He encounters yet another ninth man called Glida. As they battle, their fight is interrupted by ANOTHER ninth man named Captain Glory, who somehow knows both of their names.
The End. . .to be continued.
THE REVIEW:
There's a LOT of old school talent on this book! That said. . .the finished product sadly doesn't match the promise held in those names. It's a shame to see such a waste. The story is actually pretty poorly-written. . .especially in the dialogue, and in particular the dialogue of the reader's entryway into the story, the young, black "junkie" who discovers Bombast. To be perfectly honest, most of his dialogue is extremely cringeworthy and borderline racist. It almost breaks the story, it's so bad.
Setting that aside, the character of Bombast himself is just as generic as I was afraid of based on his cover appearance. His powers are vaguely defined (he can. . .throw stuff?), he looks pretty ridiculous, and his dialogue is slightly annoying. To make matters worse, his foe "Death Flash" rolls around Chicago on roller skates.
I realize that the creative team were going for a sort of late Silver/ early Bronze Age throwback style, and to their credit, they succeeded. For a comic written in 1993, this looks and feels exactly like something from the early 70's!
Unfortunately they didn't succeed in a GOOD way. Instead, this is the sort of cringeworthy stuff that people making fun of the Silver/Bronze Age point and laugh at. Maybe it was done on purpose? I sort of hope so, because then it's kind of brilliant, in a way. If not, then it's just a pretty poor effort. Sadly, I have the feeling this wasn't SUPPOSED to be bad.
The art serves the purpose of telling the story, but doesn't try to reach any higher than that. Like the writing, I was expecting a little more from names like Ayers and Severin. This whole comic just sort of feels like the minimum effort was put into it.
BONUS DISAPPOINTMENT: My copy didn't even have the Super Deluxe KirbyChrome trading card. A single tear slowly trickles down my cheek. . .
THE VERDICT:
I give this comic 2 out of 5 old white guys trying to figure out how young black people talk.
NEXT!
GRIMM FAIRY TALES
2017 ARMED FORCES EDITION
ZENESCOPE (2017)
BLOODLINE
SCRIPT: Joe Brusha & Dave Franchini
PENCILS: Ario Murti
COVER: Alfredo Reyes
THE COVER:
As a former Marine, a red-blooded male, and a general "America, Hell Yeah!" kind of guy, this cover immediately grabs me. It's bold and very nicely done. If I could hang this on my office wall without multiple HR complaints, I would.
BUT. . .
As an adult comic reader, it's a little embarrassing. I would never have bought this if it hadn't come to me in a giant box of random comics. My daughter was laughing when we were pulling one shots to the side in a separate pile (there's about 30 more) and she spotted this one. She asked who buys these kinds of comics. I didn't have a good answer. That's why it's in this review.
THE STORY:
In the dead of night at the National Museum of American History in Washington, D.C., a mysterious hooded woman tracks her prey through the dark halls of the museum, pausing to briefly reflect on her family's long and dedicated military service to the United States through history as she passes by various displays.
Finally, she confronts a giant bull-headed creature with glowing red eyes and leaps into action, revealing herself as Belle, Hunter of Beasts! And. . .nope. That's it.
To be continued.
THE REVIEW:
What little "story" there is in this comic takes up a total of three and a half pages, and is actually just a preview for a (then) upcoming series. For what it is, it's well-written and nicely-illustrated, but it's hardly worth even calling a story.
So this is a pretty thick comic. What's in the rest of the pages?
It's all single page pinups of scantily-clad women with barely-there "military" wear and guns. So, yeah. . .except for the preview at the front, the rest of this comic is boob-tastic military soft porn.
Now, don't get me wrong. The art is great on all of them, and I've got nothing against some fine-lookin' comic ladies. . .but it's just sort of embarrassing that comics like this exist. It reminds me of the old "Swimsuit Specials" Marvel used to put out before they realized everyone was making fun of them for it. And indeed, my daughter was laughing when she challenged me to review this.
Challenge accepted, punk! BOOM! Here's your review!
BUT I DIGRESS. . .
Talking about the cover above, I mentioned that my daughter and I were pondering who exactly buys these comics. Who are they created for? The only answer I really can think of is that there's a LOT of fantastic artistic talent being wasted appealing to the most basic interests of young men, and that (based on the other handful of comics from this publisher I now own) Zenescope as a company in general exists to profit from those basic interests. Those basic interests being boobs.
Seriously. . .there's some great talent in this "comic" going to waste on stuff like this. Judged on the art alone, there's a lot to like. Unfortunately, the direction that art is pointed is disappointing.
THE VERDICT:
I give this comic 4 out of 5 anonymous HR reports for the art.
1 out of 5 skipped ads for the "story".
I feel dirty now. MOVING ALONG!
MARRIED. . .WITH CHILDREN
BUCK'S TALE
NOW COMICS (1994)
BUCK'S TALE
SCRIPT: Geoffrey White
PENCILS: Eddie Pittman
COVER: Tom Richmond
THE COVER:
Not good. It looks like something a teenager would draw for high school art class. The (accidental, I promise) running theme with this batch of one shots (except Bombast) seems to be focused on nicely-illustrated boobs with the woman's face as an afterthought. This cover is no exception. Everything but Kelly Bundy's boobs is pretty poorly done.
I'm familiar with the Married. . .With Children T.V. show, but until now have never read one of the comics. This cover does NOT give me confidence that it's going to be any good. Let's do it!
THE STORY:
We follow the tragic tale of the Bundy's dog, Buck, beginning with his early days as the unwanted pup of a stray and a purebreed poodle living on the streets and searching for his father among the mongrels of the stray dog underground.
After finally finding his father and being rejected, Buck is saved by Bud and Kelly Bundy, who use him to gain sympathy as they scavenge for food. After proving himself useful, Buck becomes a member of the dysfunctional Bundy family.
The End.
THE REVIEW:
I came into this without much confidence based on the minimum effort given to the cover. I wasn't wrong. This whole thing feels sort of pointless and random. None of the jokes really hit until Buck is in the Bundy home and we get some of that classic "Peg vs. Al" back and forth that made the T.V. show a hit, but it's too little and too late. The rest of it is just sort of "This happened and then this happened" with surprisingly little humor for what is supposed to be a comedy-based comic.
I digress a bit, but I see this often in licensed comics. Some things just don't translate well from screen to page. Comedy is definitely one of them. It's a rare thing for a comic book to be able to capture the same spark of comedy as its source material. This comic not only doesn't capture that spark (with the exception of a few gags toward the end), but doesn't even try that hard to do so.
The art is bright, cartoony, and very exaggerated. For what it is, it's pretty good. The art tells the story, but doesn't try to go any higher than that. The artist doesn't really capture the essence of any of the T.V. characters very well beyond the world-weary Al Bundy, who is the only real bright spot in either writing or art in this comic. . .and his few scenes are at the very end of the story
Overall, this is just a very forgettable comic with surprisingly little comedy for being based on a classic T.V. sitcom. Where Married. . .With Children the T.V. show subverted normal sitcom tropes to become something unusual, Married. . .With Children the comic book is pretty much by the numbers.
THE VERDICT:
I give this one 2 out of 5 hands down the pants.
CONCLUSION
This first handful of off-brand one shots was pretty disappointing. For me, Red Sonja was the best of the bunch, with the rest showing either a lack of effort or too much effort in the wrong direction. Let's hope for a bit of improvement in the next batch my daughter has picked for me to review.
Up Next. . .
Single issue offerings from Rock-It Comix, Arcade Comics, Antarctic Press, and Acclaim Comics coming in the next Off-Brand One Shots Edition of Longbox Junk.
Be there or be square!
